Madonna of Mercy 1600 - 1700

This is an anonymous drawing of the Madonna of Mercy. It was made with red chalk. This image taps into a long tradition of devotional art that’s linked with specific social and institutional contexts. The ‘Madonna of Mercy’ iconography became popular in Europe, especially during times of plague and conflict, as people sought divine protection. In that cultural climate, the Madonna became a symbol of hope and solace. In this drawing, we see the Virgin Mary sheltering supplicants under her cloak. It reflects a hierarchical society where figures like the Madonna were seen as powerful intercessors. The choice of red chalk as a medium suggests a study or preparatory sketch for a larger work, maybe commissioned by a church or a confraternity seeking to promote this particular Marian devotion. Understanding this drawing means looking into its socio-religious environment, examining related works, and exploring the patronage networks of the time. This helps us to understand the public role of art in shaping the culture of the period.