Fun'ya no Yasuhide, from the series "Allegory of the Six Poets (Furyu rokkasen)" by Suzuki Harunobu 鈴木春信

Fun'ya no Yasuhide, from the series "Allegory of the Six Poets (Furyu rokkasen)" c. 1768

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print, woodblock-print

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print

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asian-art

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landscape

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ukiyo-e

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figuration

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linocut print

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woodblock-print

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orientalism

Dimensions: 27.9 × 20.7 cm (11 × 8 1/4 in.)

Copyright: Public Domain

Curator: Here we have a print by Suzuki Harunobu, created around 1768. It’s titled "Fun'ya no Yasuhide, from the series Allegory of the Six Poets". Editor: My initial sense is one of melancholic beauty. There’s a delicacy to the lines and a muted colour palette that speaks to transience. It feels like a memory. Curator: Precisely. Harunobu, a master of ukiyo-e, used woodblock printing to achieve this ethereal quality. Note the subtle gradation of colour – a technique called "bokashi" – particularly visible in the sky and water. It adds depth despite the flatness inherent in the medium. Editor: And the figure…she seems to be caught in a moment of vulnerability. Her posture, the way her head is bowed, suggests contemplation, perhaps even sorrow. Or maybe she is just gathering the sleeves of her kimono as she’s stepping down. I imagine the sound of waves and wind accompanying her. Curator: Yes, she is perhaps representing the Heian-era poet Fun'ya no Yasuhide. Consider the patterning on her kimono – the repeated motifs could be symbolic, referencing themes present in Yasuhide's poetry. This print belongs to a series where Harunobu reinterprets classical figures through contemporary life. The series itself is allegorical, exploring complex themes via easily understood imagery. Editor: It’s intriguing how he blends the high and low, the classical with the contemporary. It invites us to reflect on our own connection to the past, but also to those emotions – those simple moments– that makes us who we are. And did the artists decide the text in top of the artwork as well? It seems the printmaking process includes this feature? Curator: The calligraphic text above the figure includes some poems which would enrich our comprehension and is often incorporated into the overall aesthetic composition, yes. It’s fascinating how each element works in harmony to create such a unified artistic statement. Editor: Definitely. What at first seems like a simple, elegant portrait reveals layers of meaning and artistry upon closer examination. I could stand here contemplating the subtlety in printing a while. Curator: I concur. Harunobu’s skill is manifest. His "Fun'ya no Yasuhide" is not just a visually arresting image; it’s a window into a rich cultural and artistic history.

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