Lectura Leesbibliotheek in vier talen. 486 Singel bij het Koningsplein by Willem Wenckebach

Lectura Leesbibliotheek in vier talen. 486 Singel bij het Koningsplein 1900 - 1910

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graphic-art, print, typography, poster

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graphic-art

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art-nouveau

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print

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typography

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poster

Dimensions: height 1040 mm, width 580 mm

Copyright: Rijks Museum: Open Domain

Editor: This is a poster from between 1900 and 1910 by Willem Wenckebach for the "Lectura" reading library, at Singel 486, near Koningsplein. It looks like a print of some kind with very stylish typography. I notice the woman absorbed in her book. How do you interpret this work? Curator: Well, it certainly captures a moment of quiet intellectual engagement, doesn't it? The choice of floral motifs typical of the Art Nouveau movement hints at growth and the unfolding of knowledge, linking nature with the inner experience of reading. Does the placement of flowers adjacent to the figure suggests anything to you? Editor: Perhaps it means the scene of reading feels like a breath of fresh air, surrounded by all those flowers. And, together with that Art Nouveau frame and those clear letter forms, maybe the poster speaks to the reading library being both progressive and reliable. Curator: Exactly! Notice also the emblem at the bottom – an open book. Throughout time and across cultures, the open book consistently symbolizes knowledge, revelation, and access to wisdom. Wenckebach smartly tapped into this enduring association. Editor: So it's communicating something about the enduring power of books themselves. Are there psychological aspects that contribute to its charm? Curator: Indeed! The intimate scene creates a sense of nostalgia for quieter times. It invites the viewer to seek a refuge, like the woman in the poster, within the pages of a book. The image holds a kind of promise. Editor: I see, so the poster isn't just advertising a library, it's selling a feeling. It reminds us that some symbols just have staying power across time. Curator: Precisely. It’s about more than just selling subscriptions; it’s selling an ideal, using visual language we instinctively understand.

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