Schenkkan met tuit naar links 1648 - 1655

Curator: Standing before us is "Schenkkan met tuit naar links," a baroque-style etching and engraving by Jean Lepautre, likely created between 1648 and 1655. Editor: My immediate reaction? It feels a bit... theatrical. The way the light catches the curves and that serpentine handle makes me think of operatic drama. Curator: Lepautre was known for his ornamental designs, and this pitcher, while a functional object in theory, is really a demonstration of skill. Consider the lines, the way he creates depth simply through hatching. And notice the material possibilities: metal transformed through skilled labor. Editor: I’m particularly drawn to the texture he creates. The scaled pattern on the main body of the pitcher, contrasted with the smooth upper portion and that intricate lip. It's a real play with form. And let’s not forget the handle – a dragon, a symbol often associated with power and transformation! Curator: The fact that Lepautre circulated his designs as prints had a huge impact. It allowed these elaborate patterns to be reproduced easily by other artisans, enabling them to create similar items with, perhaps, more rudimentary methods. Editor: But is it not also fair to examine the way in which an image of luxury participates in creating its perceived value, divorced from material context, encouraging, enabling consumerist desire for even a simpler copy? Also, look closely; do we notice symmetry at play in this pitcher? It certainly emphasizes balance and classicism. Curator: Interesting. It pushes the concept beyond a unique, precious artwork and connects it with production, class and social structures of Baroque society. One must always contextualize to consider the socioeconomic implications of such art, for maker and consumer alike. Editor: Yes, and from my view, looking at structure, color and materiality can offer insight to symbolic or even emotional responses, it opens another valid avenue of discussion, don't you think? Curator: Indeed, this etching offers various views of examining and understanding Baroque artwork; I appreciate noticing your initial thoughts and insights on the dragon handle. Editor: Well, thanks!