Landschap met Christus en de Emmaüsgangers Possibly 1776 - 1779

Richard Earlom made this mezzotint titled "Landschap met Christus en de Emmaüsgangers" in 1776 in England. It illustrates the biblical story of Jesus appearing to two disciples on the road to Emmaus after his resurrection. What makes this work particularly interesting is its connection to the art market of the time. Earlom was a sought-after printmaker known for reproducing the drawings of masters like Claude Lorrain, whose influence is evident here. Prints like these democratized access to art, allowing collectors to own versions of famous works, a booming industry in 18th-century London, centered around institutions such as publisher John Boydell. The print’s success depended on both Earlom’s technical skill and Boydell's distribution networks. It raises questions about originality, authorship, and the public role of art in a rapidly changing society. You can use the print room records at the British Museum to learn more about the print market in London at this time.