Traveling Circus 2011 

Editor: "Traveling Circus, 2011" by Michael Parkes appears to be rendered with pencil and colored pencil. It depicts figures and animals with an otherworldly, dreamy quality. There's something serene and ethereal about it that intrigues me. How do you interpret this work? Curator: Well, at first glance, the symbolism resonates deeply. The figures perched upon the rhinoceros and surrounded by lions – it evokes a sense of control over primal forces. The circus is a traditional metaphor for spectacle. It could also mean a group travelling to explore various facets of life. Do you think the women in the drawing remind you of mythological figures, maybe muses or goddesses, taming and guiding these powerful beasts? Editor: That’s interesting, I hadn't considered the mythological aspect, but I do see it. They seem so calm, almost passively in charge. The rhino and lions usually symbolize strength, right? Curator: Exactly. Strength, and untamed energy. And that they are being lead could indicate the ability of art and beauty, represented by the women, to soften even the most primal instincts. What do you make of the owl-like creature resting on the rhino’s head? Editor: I suppose it is like the other animals depicted in the piece. Is the Owl like the others animals here? Curator: In Western traditions, the Owl has represented knowledge, but is also a symbol of death and destruction, sometimes. Here, that the woman with the ginger hair isn't startled that a lion cub is perched above her head is interesting. I believe this composition invites each of us to find our personal symbology from a wide cultural selection of symbols. It is as if they are familiar parts of one's soul, not frightening images. Editor: That makes me think about how artists like Parkes use familiar images, but recombine them, creating new associations. Thanks. Curator: Absolutely! Thinking about cultural memory helps to bring new light on art interpretation.