Charles II, 1390-1431, Duke of Lorraine [reverse] 1572

Editor: This is a bronze medal created in 1572 by Pierre II Woeiriot de Bouzey, depicting Charles II, Duke of Lorraine. It feels incredibly formal and meticulously crafted. What strikes you most about it? Curator: You know, what I find so captivating about these portrait medals is the ambition packed into such a small space. Look at the detail in Charles’s ruffled collar, or the confident set of his jaw. This isn't just a likeness; it's a statement of power, of lineage. Almost like a tiny, portable billboard for the Duke. Do you see how the inscription seems to almost *frame* his face? Editor: Yes, it definitely reinforces that sense of importance. The text encircling the portrait almost acts like a halo or a royal seal. Is that typical of these kinds of medals? Curator: Absolutely! The Renaissance, especially, was mad about reviving classical forms. Roman emperors stamped their image on coins – what better way to emulate their authority than with a personal medal? Plus, distributing these would have been a clever way to circulate the Duke's image and, shall we say, control the narrative. Editor: So it's propaganda, but in a beautifully crafted package? Curator: Exactly! And thinking about Woeiriot's artistic skill—he clearly knew how to convey character and status in a very concise and powerful manner. It makes you wonder what Charles was like in person, doesn't it? Did he really have that much self-possession? Editor: It definitely gives you a glimpse into that historical moment. I now see the medal as not just an image, but a strategic move. Curator: And isn't that the joy of art, to uncover those layers of meaning? It is much more than just shiny things.