Lunette met putti, fasces en adelaars in de Burgerzaal van het Stadhuis op de Dam 1655
print, engraving
allegory
baroque
old engraving style
geometric
history-painting
decorative-art
engraving
Dimensions: height 155 mm, width 279 mm
Copyright: Rijks Museum: Open Domain
Curator: This is an engraving from 1655 by Hubert Quellinus titled, "Lunette met putti, fasces en adelaars in de Burgerzaal van het Stadhuis op de Dam," or Lunette with putti, fasces and eagles in the Burgerzaal of the Town Hall on the Dam, currently residing in the Rijksmuseum. Editor: Right off the bat, there’s this kind of old-world sternness mixed with cherubic innocence that’s quite captivating. I mean, eagles and those bound bundles of sticks – fasces, right? – juxtaposed with these chubby, playful putti... it’s like a visual representation of power trying to play nice. Curator: Indeed. Quellinus employs a complex allegorical program here. Observe the meticulous detail of the engraving, the sharp contrasts emphasizing the textures of the eagles' feathers and the delicate flesh of the putti. It speaks to the Baroque obsession with detail and symbolism. Editor: The composition itself feels like a tightrope walk between balance and visual overload. Everything's packed in, but the circular frame at the center gives your eyes a place to rest. Though, honestly, all those symbols sort of cancel each other out in my mind. What's it supposed to MEAN exactly? Curator: Well, consider the context. It was made for the Town Hall. The eagles, symbols of authority, and the fasces, representing unity and power, flank the putti. The fruit is meant to reference the harvest, hence civic well-being, and a cycle of bounty and success in governance. Editor: That's good context, but it is a bit too official. I would put that in my powder room... the juxtaposition between beauty and power would look killer by the commode. Curator: While I concede that a personal, perhaps even irreverent, engagement is valid, I maintain the significance lies in grasping the complex semiotics, its intent within the civic sphere of 17th century Amsterdam. Editor: You see political ambition and perfect execution. I see winged messengers and curious stares... We are seeing totally different prints today. It is fun to try! Curator: Absolutely, such diversity of interpretation is part of experiencing the arts.
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