William Hogarth, Self-portrait 1785

Editor: This is a self-portrait of William Hogarth, from 1785, made using etching and engraving. It is very detailed, particularly the hair and clothing, though it appears aged and faded. It projects a serious yet approachable persona. What aspects of its construction do you find particularly noteworthy? Curator: What strikes me immediately is the intricate interplay of line. Observe how the density and direction of the etched lines modulate to define form and texture. The artist employs cross-hatching in the darker areas to achieve tonal depth and solidity. Editor: I see, the cross-hatching really defines the curves of his coat and hair, contrasting against the smoother areas. Curator: Precisely. Note also the almost sculptural quality achieved through purely linear means. The way light seems to caress the artist's face. Do you find the composition effective in focusing the viewer's attention? Editor: Yes, the face is very luminous compared to the coat. The dark-to-light contrast, paired with the artist’s gaze directed at us, guides our eyes directly there. I am interested in what the different planes mean. Is he attempting to make art criticism part of the piece? Curator: An interesting suggestion. It is also vital to appreciate how an image such as this might have engaged audiences conditioned by diverse contemporary graphic traditions. These forms served various purposes. Looking at these portraits it makes me contemplate our notions of self today. Editor: I see now how analyzing the structural elements can tell us so much about not only the piece but ourselves, even when an artist is in portraiture. Curator: Precisely. Close formal study provides an entry into comprehending art from vastly distinct periods, places, and artists.