Neptune with a Hippocamp by Michel Anguier

Neptune with a Hippocamp c. 1652 - 1689

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bronze, sculpture

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baroque

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sculpture

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greek-and-roman-art

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bronze

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figuration

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sculpture

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history-painting

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nude

Dimensions: overall (height): 51.5 cm (20 1/4 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Immediately, I notice the surface sheen of this bronze sculpture. The light plays across it, highlighting the rippling musculature and the dynamism inherent in the figure's pose. Editor: It certainly evokes power—almost a brooding quality. The god Neptune feels less benevolent ruler of the seas, and more a force to be reckoned with. There's an old weight to him, almost burdened. Curator: Precisely. What you are describing underscores how skillfully Michel Anguier has modeled this bronze. Executed around 1652 to 1689, this piece, titled "Neptune with a Hippocamp", showcases Anguier’s engagement with classical antiquity— evident in the careful contrapposto and the anatomical precision. The lines feel incredibly tight here. Editor: The trident and flowing cape act as key visual components, immediately situating Neptune, culturally speaking, while the subdued expression seems intentionally ambivalent. It's not the triumphant, idealized Neptune of earlier periods; instead, a seasoned sovereign. One might interpret the hippocampus itself as representing the subconscious depths over which he presides. Curator: Notice, though, how the cape swirls. The very folds and how they’re placed generate a sense of motion, a latent energy barely contained by the bronze itself. It mirrors the turbulence of the sea which, conceptually speaking, forms his dominion. Editor: A fascinating contrast, that inherent tension. While the texture, composition, and even the patina work toward projecting strength, they also imply great age and the weathering effects of time and elemental forces. He has an unreadable quality which demands attention from any viewer. It leaves the viewers asking questions, and I believe that this quality keeps people coming back. Curator: I would argue that it’s Anguier's keen understanding of artistic principle that grants "Neptune with a Hippocamp" this quality. Its brilliance springs not from a singular quality, but a harmonious synthesis of design, structure, material and cultural weight. Editor: Perhaps that blend of careful artistic arrangement with inherent symbolism creates something unforgettable for both art fanatics and cultural scholars.

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