oil-paint
portrait
self-portrait
oil-paint
oil painting
expressionism
Dimensions: 43.9 x 55.1 cm
Copyright: Public Domain
Max Beckmann made this self-portrait with oil on canvas in 1905. Here we see a young artist looking intently outwards, painted in a palette of greens, greys and creams. I’m thinking about the physicality of applying oil paint, the smell, the way it moves under the brush – how Beckmann layers it on to build up form, a bit thin in places, a bit thicker in others. I imagine Beckmann peering into the mirror, trying to capture something of himself at this early stage in his career. There’s a vulnerability to his expression; the open-mouthed stare reminds me of the early self-portraits of Van Gogh, and you get the feeling that the act of painting is a process of self-discovery, an attempt to understand who he is and what kind of artist he wants to be. It’s a kind of conversation artists have with themselves – and then with us, the viewers. It is fascinating to consider these painters in dialogue across time and space.
Comments
This self-portrait marks a turning point in Beckmann’s art of painting: it depicts the moment he turned away from Impressionism and towards other influences. The systematised brushstrokes and the painter’s looks show the influence of van Gogh’s self-portraits. In contrast, the emphatically geometric structure of the background with its large, coherent colour fields reflects the artist’s interest in Cézanne’s art. The letters at the bottom of the picture can be read as a dedication to Beckmann’s future wife, Minna Tube: “Mister Beckmann to his Dearest [Herr Beckmann seiner Liebsten] Minna (Minkchen) Tube”.
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