Dimensions: diameter 4.7 cm, height 1 cm, weight 4.79 gr
Copyright: Rijks Museum: Open Domain
Editor: This is a "Doosje bij penning 100-jarig bestaan der Nederlandsche Maatschappij tot bevordering der pharmacie 1842 - 1942," a metal and graphic art piece dating back to 1942, crafted by the Koninklijke Utrechtsche Fabriek van Zilverwerken van C.J. Begeer. It feels like such a simple design, but so intentional. The stark blue typography really contrasts against the off-white surface. How would you interpret its formal qualities? Curator: The interplay of form and text is quite striking. The circular shape is self-contained and perfectly balanced. The central image, including typographic elements in dark blue, creates a focal point which is contained by horizontal lines. The contrast ensures readability and also offers a graphic dynamism, drawing the eye to its formal properties. What do you observe about the relationship between the typography and the object’s function as a container? Editor: Well, the typography seems very precise, almost clinical. I wonder if that speaks to the pharmaceutical context? Curator: Indeed. Note the use of clean, sans-serif fonts, popular within the Art Deco movement for their legibility and streamlined look. Semiotically, such a choice invokes notions of modernity, efficiency, and perhaps trustworthiness – qualities one might seek in a pharmaceutical product or association. Also note the organization logo right at the top. What do you think the function of this might be? Editor: The container likely held a commemorative coin or token? The typography served both informational and decorative purposes? Curator: Precisely. It becomes a signifier, not merely labeling but actively participating in the creation of meaning. It asks us to consider the fusion of artistic expression and functional design. Editor: That’s fascinating. I hadn't thought of typography and its relationship to the object in that much depth before. Thank you! Curator: My pleasure! Analyzing the components reveals the intentions of the original commission, opening up fresh insights into our modern understanding.
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