Doos behorend bij een bronzen penning by Francois Ignace Baetes

Doos behorend bij een bronzen penning 1890

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photography

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studio photography

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advertising product shot

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product studio photography

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product shot

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studio lighting mockup

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retro 'vintage design

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photography

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product design photgrpaphy

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metallic object render

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decorative-art

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retail photography

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packaging design

Dimensions: diameter 7 cm, depth 1 cm

Copyright: Rijks Museum: Open Domain

Curator: Looking at this photograph of a box associated with a bronze medal, made in 1890 by Francois Ignace Baetes, it strikes me as a potent symbol of artistic and economic structures of the time. Editor: You know, my first thought was actually that it looks like an old hat box, you know, the kind Sherlock Holmes might have toted around London. It has a wonderful aged, almost papery, feel. I can almost smell the vintage paper. Curator: Yes, but think about the historical context: Belgium was rapidly industrializing, and artists like Baetes were navigating the complex relationship between art, craft, and commercial enterprise. Medals, like this bronze one, were not just art objects but also markers of social status, achievements, and civic identity. This box served to protect and elevate that value, it's a keeper of a claim. Editor: True, it is a package, after all. And in a way, isn't every artwork's presentation part of its message? I am so intrigued by the fact we are viewing it via photography, not the physical artefact itself. Curator: Precisely. Photography here flattens the object, drawing attention to its design and branding. The inscription, "F. BAETES. ANVERS" is proudly emblazoned on top, showcasing the artist's name and city. The whole package points to the rise of artistic brands during the late 19th century, doesn’t it? Consider who might have owned that medal, and how it was awarded. Editor: Makes me wonder what that bronze medal actually looked like! And if it ever fulfilled its promise for the person who won or bought it! But I like how it speaks about value and its visual construction. You framed that really neatly. I'm thinking how much "stuff" gets chucked in the skip after a day or so. It gives you food for thought. Curator: Ultimately, this box speaks to a very specific moment in history where art and commerce converged. Examining it helps us question assumptions about value, and the cultural narratives that artworks carry with them, even those of supposed 'minor' significance. Editor: Yes, totally! This object just makes you think of things, not just treasure and trinkets, but just lives that played out, like little stories waiting to be found!

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