Female Figure by Kusu

Female Figure c. 19th century

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carving, sculpture, wood

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carving

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sculpture

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figuration

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form

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sculpture

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wood

Dimensions: 14 5/8 x 5 5/8 x 5 3/4 in. (37.15 x 14.29 x 14.61 cm) (including attached base)

Copyright: Public Domain

Curator: I'd like to draw our attention to a captivating wood carving entitled "Female Figure," dating back to around the 19th century. It currently resides here at the Minneapolis Institute of Art. Editor: Immediately, I’m struck by the somber tone. The dark wood lends it a gravitas, almost a feeling of ancient wisdom held within this stylized form. Curator: That somber tone you're sensing is in part influenced by colonial impact on production during that era; these sculptures acted as silent witnesses to political change. Works like this one, made from wood, reflect both cultural continuity and new economic pressures affecting traditional artistic practices. Editor: Absolutely. There’s also an interesting duality here. The figure possesses a serene face, but the geometric abstraction of the arms—those almost squared shapes enclosing the torso—lend an air of constraint, or perhaps even ritualized protection. Do we know the intended function? Curator: Though the exact use remains debated among scholars, the cavity on top does imply a votive or ritual context, maybe linked to ancestor veneration or healing practices—furthermore, her physical being itself makes claims to motherhood as an expression for healing and support, which have been suppressed under political domination and forced conversions. Editor: The symbolism is incredibly rich. This stylized approach also strikes me as a method of conveying more abstract qualities. It seems as though she bears more responsibility of her people within the expression, so the container balanced on her head seems significant and symbolic. The piece does a tremendous job of creating the kind of feeling that would carry such responsibility. Curator: Precisely, and these sorts of wooden carvings highlight the intersection between personal spirituality and wider community power dynamics as well as external interventions. I see how this sculpture shows the power of resilience and innovation during such disruption to people's traditions. Editor: It’s quite fascinating to see how even under pressure, cultural symbolism found new avenues for expression. It gives us a sense of our interconnected history of the community's spirituality. Curator: Indeed. These pieces remind us of the enduring power and multifaceted history contained in such artworks that museums strive to preserve.

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