Reproductie van De schoenmaker uit Zeeland door Adolf Alexander Dillens by Anonymous

Reproductie van De schoenmaker uit Zeeland door Adolf Alexander Dillens before 1867

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print, etching, paper

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narrative-art

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dutch-golden-age

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print

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etching

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paper

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genre-painting

Dimensions: height 114 mm, width 145 mm

Copyright: Rijks Museum: Open Domain

Curator: Looking at this etching titled "Reproductie van De schoenmaker uit Zeeland door Adolf Alexander Dillens," created before 1867, currently held at the Rijksmuseum, I'm struck by its intense narrative feel. Editor: The composition feels quite cramped, almost claustrophobic. Is this due to the limitations of the print medium? Curator: It is an etching printed on paper. But more importantly, it highlights the confined spaces in which labor was so often conducted, and likely the social lives tied into those production spaces. The detail in the faces is also striking when we talk of materiality. Editor: Indeed, one gets the sense of lives intertwined—a family unit perhaps, laboring in very close quarters. It evokes questions about gendered labor and division of work within the domestic sphere of that era, who works what. Curator: Absolutely. The wife leans out of a window to talk with an older male who looks at the cobblers working in front. Perhaps she offers a friendly gesture while her husband stays on his knees repairing shoes. Editor: Seeing this through a feminist lens, I’m reminded of how women's contributions within the household economy were often rendered invisible or minimized, but in this depiction the woman clearly holds power. There’s definitely more happening here than meets the eye, politically and socially. Curator: Furthermore, examining the techniques of the Dutch Golden Age gives this particular reproduction the air of tradition and craftsmanship—which reinforces the notion of specialized skill in small spaces. Editor: Which then translates into access. I mean who consumes what, in a given socio-economic class. I see that in the figures on display. It certainly inspires a discussion about economics. Curator: I agree. Thank you, I noticed how different perspectives brought different context into our review, expanding our sense of the value and significance. Editor: Precisely. Analyzing Dillens’ print provides a profound illustration of social complexities represented in what might appear, on the surface, like a simple genre scene.

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