Set of Sword Fittings (Mitokoromono) 1800 - 1850
metal, intaglio, engraving
metal
intaglio
asian-art
japan
armor
decorative-art
engraving
sword
miniature
Dimensions: L. of hair dressing tool (kogai) (a) 8 3/8 in. (21.3 cm); L. of each grip ornament (menuki) (b, c) 1 3/8 in. (3.5 cm); L. of knife handle (kozuka) (d) 3 13/16 in. (9.7 cm)
Copyright: Public Domain
Editor: This object is a set of sword fittings, or *mitokoromono*, by Gotō Mitsuyoshi from between 1800 and 1850. They are housed here at the Met. They are metal, decorated with intaglio and engraving. At first glance, it reminds me of a fancy letter opener with decorative imagery. What's your take on it? Curator: Ah, more than just fancy! Think of the samurai, the weight of tradition, honor hanging sharper than any blade. It’s like holding a story. Notice how the artist utilizes metal and engraving. How does that contribute to its impact, do you think? Editor: The dark metal with the gold engraving adds a touch of understated elegance. It hints at wealth and status without being ostentatious. How would these miniature sword fittings relate to armor and other traditional Japanese arts of the era? Curator: You've hit upon it! Miniatures allow stories to be condensed. They act as both emblems of martial power and canvases for incredibly detailed artistic narratives. These fittings become personal statements, reflecting the values and aspirations of the samurai who wielded the sword. Does that change how you perceive it? Editor: It does. I now see the craftsmanship that turns practical parts of the sword into symbolic representations of its bearer's character. It seems less like mere decoration and more like wearable philosophy. Curator: Precisely! That’s where the power resides, in its layers. These miniatures allow one to truly touch history. Editor: This was illuminating! It makes you consider the quiet yet intricate storytelling woven into even the smallest of objects. Curator: Indeed. Now, when you view art, try to imagine stories attached; history suddenly reveals itself.
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