Dimensions: support: 267 x 267 mm frame, circular: 433 x 426 x 42 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Ah, yes, the Claudian Landscape, thought to be from the Italian or German School, 17th century. Its circular form is rather striking, isn't it? Editor: It's like gazing into a melancholy snow globe. So moody, almost brooding, like a storm is brewing just out of sight. Curator: Landscapes during this era often served as both aesthetic pleasure and vehicles for conveying social and philosophical ideas. Here, the figure seems to be reflecting on the landscape. Editor: Or maybe contemplating the weight of unwashed laundry? Just kidding. But seriously, this solitude, the vastness... it's a universal feeling. Curator: Indeed, the ambiguity of the artist and its classification leave room for interpretation of its context and significance. Editor: It's aged like a fine wine mixed with a touch of existential dread. Still, it holds a certain strange beauty.
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http://www.tate.org.uk/art/artworks/italian-or-german-school-17th-century-claudian-landscape-n05566
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This little painting was presented to Turner in 1834 by the historical painter and draughtsman Prince Hoare in recognition of his teaching at the Royal Academy. It has a dedication on the back to 'Professor Turner'. It was probably the picture seen in Turner's dining room by his friend F.E. Trimmer with an ascription to Claude's teacher Agostino Tassi. In fact it is closer in style to the German artist Goffredo Wals with whom the young Claude studied for two years in Naples. Gallery label, September 2004