Saint Andrew c. 16th century

Curator: Let's discuss Lucas Cranach the Elder's woodcut, Saint Andrew, housed here at the Harvard Art Museums. Editor: The intense line work gives him a palpable weight. You can feel the weight of the cross. Curator: Absolutely. Andrew's identity is intrinsically linked to the cross. His social position as a fisherman, his subsequent discipleship, and eventual martyrdom are all visually tied to that instrument of execution. Editor: And Cranach's choice of woodcut emphasizes the labor and skill involved in its production. The carving itself becomes a form of devotional labor. Curator: Indeed. Considering the Reformation context, this representation challenges traditional narratives around sainthood and questions established power structures. Editor: It's incredible to think about how many impressions were made from this one block, a democratized image for the masses. Curator: It speaks to the power of visual imagery during periods of immense social and religious upheaval. Editor: A powerful image, technically impressive, and heavy with its historical context. Curator: A combination of religious symbolism and social critique that continues to resonate.