Cabinet containing household utensils by Giovanni Battista Piranesi

Cabinet containing household utensils 

0:00
0:00

print, etching, photography, engraving

# 

print

# 

etching

# 

charcoal drawing

# 

form

# 

photography

# 

line

# 

genre-painting

# 

engraving

Copyright: Public domain

Editor: This is "Cabinet containing household utensils," an etching by Giovanni Battista Piranesi. What strikes me immediately is the contrast—these are everyday objects, but presented with such detail and weight. It almost feels monumental. What do you make of it? Curator: Precisely. It's fascinating how Piranesi elevates these utilitarian items. He’s not just showing us objects; he's highlighting their materiality and placement within a structure. Think about the process. Each line etched to create depth, texture, implying weight of these pots and pans. What does that suggest about labor, about domesticity itself, in the context of 18th-century production? Editor: That's a good point. The craft involved in the etching mirrors the craft in making the utensils, which were also likely handmade. Does the fact that he chose to depict something so...common...mean something? Curator: Absolutely. Consider the social context. High art often focused on grand historical narratives. But here, Piranesi presents the tools of everyday life. Is he challenging that hierarchy, suggesting that the domestic sphere and the labor associated with it are worthy of artistic attention? How might the availability, trade, and consumption of these objects speak to emerging economies of the period? Editor: So, he's using his craft, printmaking, to examine other crafts, like pottery or metalworking. I’m wondering about the social class that would be using these tools - would these tools reflect that status? Curator: Precisely! Consider the wear and tear these items would undergo. The process of making, using, and eventually discarding. The etching becomes a document not just of form but also of use and perhaps, even a glimpse into economic stratifications. What’s been highlighted for you in terms of making and social history by looking at it like this? Editor: It's made me consider the unseen labor and the material conditions that shaped everyday life and, how artistic choices like subject matter and printmaking elevate objects beyond their function. It is indeed a great reminder to reconsider that which has been considered “everyday”.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.