Gezicht op het stadhuis van Lyon by Israel Silvestre

Gezicht op het stadhuis van Lyon 1652

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drawing, print, ink, pen, engraving

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pen and ink

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drawing

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baroque

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pen drawing

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print

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landscape

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perspective

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ink

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pen

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cityscape

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engraving

Dimensions: height 132 mm, width 256 mm

Copyright: Rijks Museum: Open Domain

Curator: Israel Silvestre created this etching of the Lyon City Hall in 1652. The print captures the building from the garden side, with precise detail. Editor: Ah, Lyon City Hall... Even in black and white, the garden view shimmers with an understated elegance. Like witnessing a royal cat strolling nonchalantly in its territory, it seems both dignified and…a little playful? Curator: It’s a prime example of Baroque sensibilities expressed through printmaking. Notice how Silvestre emphasizes perspective. The lines of the garden draw your eye directly to the facade, then upwards to the clock tower, asserting the power and presence of civic authority. Editor: Baroque and city hall, a bold and strange coupling that tickles me; yet with all those teeny tiny people bustling about in the plaza, one almost anticipates a minuet erupting out. Is that fanciful? I feel a silent courtliness, ready to explode with wig-powdered gossip. Curator: Consider the context in which Silvestre was operating. These city views served a function. They documented architectural achievements and civic pride during Louis XIV's reign. Editor: They do scream "look what we have"… albeit in such hushed refined tones! A humblebrag etched with masterful precision! Now, the sky feels unsettled—are those battles between angelic beings perhaps looming up? A suggestion of political machinations to come perhaps? Curator: Silvestre's prints were quite popular amongst collectors and those involved in urban planning. They provide a tangible representation of the ideal urban space—orderly, grand, and under control. Editor: Control… and maybe just a wink of something… naughtier? Because isn’t art fun when it subtly squirms, when civic buildings dare suggest masquerade balls? A delicious reminder that history, even when etched in precise lines, remains gloriously... messy! Curator: Indeed. Silvestre offers a curated glimpse into a carefully constructed world, leaving room for interpretation. Editor: Leaving room for all our glorious, gossipy speculation! Which is always the most fun, isn't it?

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