Untitled 

Editor: Here we have an "Untitled" piece by Gunter Fruhtrunk. The patterns and lines are mesmerizing, and there's such a vibrant energy. What are your first impressions? How do you approach a work like this? Curator: One must immediately consider the formal properties at play. Observe the interplay of black, orange, and white; the diagonal orientation creates a dynamic tension, countered by the stable geometry of the square format. Fruhtrunk is clearly exploring the push and pull between order and disruption. Do you notice how the single blue section changes your perception of the intersecting circles? Editor: It does feel like it draws my eye. How important is the hard-edge painting style for a piece like this? Curator: Vitally so. The precision inherent in hard-edge painting eliminates any trace of the artist's hand, further emphasizing the objective visual experience. Consider also the positive and negative space created by the contrasting colors. Where does your eye rest, and why? Editor: I think my eye jumps around the whole canvas at first, from shape to shape. The intersecting lines in those stripes...it’s disorienting, almost vibrating. Then it wants to focus on that pop of blue in the centre! Curator: Exactly. Fruhtrunk uses that blue strategically. This piece invites an extended visual exploration. Each viewing will present subtle shifts in perception based upon formal visual relations. Editor: I see how important those elements of colour, line and geometric design really contribute. Thanks, that really helped put it in perspective. Curator: My pleasure. A work such as this serves to sharpen our own visual acuity and remind us of the power of pure form.