Bedspread Detail by Mildred E. Bent

Bedspread Detail 1935 - 1942

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drawing, paper, watercolor

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drawing

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water colours

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paper

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watercolor

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decorative-art

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watercolor

Dimensions: overall: 52.9 x 39.5 cm (20 13/16 x 15 9/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Editor: We’re looking at "Bedspread Detail," a watercolor drawing on paper by Mildred E. Bent, created between 1935 and 1942. The floral design, with its muted palette, evokes a sense of quiet nostalgia. How do you interpret this work? Curator: It strikes me as a symbolic gesture toward domesticity, particularly women's labor during that period. Embroidery, bedspreads...these are objects laden with cultural meaning. The delicate rendering in watercolor seems to imbue these objects with the idea of preservation, perhaps safeguarding memories or skill across generations. Does that resonate with you? Editor: Absolutely. It also feels incomplete, like a fragment. Almost as though something has been forgotten and is partially recalled here. Curator: Precisely! Think about the fragmentation as deliberate; perhaps the artist is engaging with memory itself? The image could serve as an archetype, distilling essential, recognizable elements related to domestic activities. These symbolic floral arrangements might explore themes about what is cherished versus discarded during times of domestic and societal change. Editor: The slightly faded colors contribute to that sense of faded memory. Are there any specific symbols here that were common during the early to mid-20th century? Curator: It's less about identifying universally fixed meanings, and more about exploring the personal symbolism that might have resonated with the artist, based on their own upbringing or environment. Certain flower varieties might carry connotations depending on what's accessible in her surrounding locale; the vines, possibly symbolizing interconnectedness of a growing family? These visuals tap into emotions attached to domestic comforts during turbulent eras. Editor: That makes a lot of sense. It seems that in extracting an individual symbol for isolated examination, you lose something integral. Curator: Precisely! This is how imagery works. So thank you, it's enriching to notice symbols both apparent and not. Editor: It certainly is - it can also work to encourage broader thoughts regarding women in creative occupations.

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