Embroidered Petticoat (Detail) by Mildred E. Bent

Embroidered Petticoat (Detail) 1935 - 1942

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fibre-art, textile

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fibre-art

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organic

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textile

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decorative-art

Dimensions: overall: 45.3 x 39 cm (17 13/16 x 15 3/8 in.) Original IAD Object: 34" long; 80" in circumfrence

Copyright: National Gallery of Art: CC0 1.0

Curator: Looking at this textile, my first thought is, how whimsical. It’s almost as if someone spilled a garden of threads onto a plain sheet. Editor: Indeed. What we have here is a detail from an embroidered petticoat crafted by Mildred E. Bent, likely between 1935 and 1942. Its creation falls within the historical context of folk art traditions intersecting with burgeoning interests in decorative arts. Curator: Folk art, yes! There's something inherently democratic about the medium. The fact that something utilitarian—an undergarment, no less—is elevated to an object of artistic expression is powerful, especially considering questions about who is creating art and for whom. Editor: Precisely. Embroidery, often associated with domesticity, becomes a form of agency and a potential critique of gendered labor. The piece embraces the 'Pattern and Decoration' movement avant la lettre, predating its rise in the 70s but echoing its core tenet: celebrating the beauty of ornamentation and challenging the hierarchy between fine art and craft. Curator: You’re right. And beyond its sociopolitical dimensions, look at these forms. The petals seem almost cartoonish; the embroidered leaves unfurl with such joyful abandon! There's a looseness, a refusal to conform to perfect botanical accuracy. I’m charmed by it. Editor: The organic motifs clearly signal a connection to the natural world. Bent isn't trying to replicate nature; she's reinterpreting it, filtering it through a lens of personal expression and cultural memory. What's particularly evocative is the incomplete nature of the design; as if these botanicals are forever emerging. Curator: Emerging—a nice way to put it. Almost as if Bent intended a project never quite to be completed. Editor: Perhaps! Reflecting on this fragment, one glimpses an aesthetic realm in which art and life are inextricably intertwined. Curator: And maybe, just maybe, Bent would laugh at all the layers of meaning we've attached to what, to her, was simply a beautiful embellishment. I know I'm smiling at her handiwork!

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