The Advocate c. 16th century

Curator: This is Hans Holbein the Younger’s woodcut, "The Advocate," part of his Dance of Death series. It’s currently residing at the Harvard Art Museums. Editor: The stark black and white really grabs you, doesn't it? Gives off this almost spooky, unsettling vibe. Curator: Absolutely. Holbein masterfully uses the high contrast to emphasize the presence of Death intruding on the advocate's dealings. Notice how Death is literally taking payment. Editor: It's like he's saying, "Time's up, counselor!" in the most literal way. The skeletal figure offering the payment, the hourglass…it's all so pointed. Curator: Exactly. The composition, the linear quality of the engraving, emphasizes the inevitability of death and the futility of earthly pursuits. Editor: It makes you think, what are we really chasing after, when all that glitters turns to dust? Curator: A somber thought, but Holbein’s skill makes it a compelling reflection. Editor: Very true; the stark imagery makes this a lasting statement.