Beschrijving van de begrafenis van prinses Maria Louise, 1765 by Abraham Ferwerda

Beschrijving van de begrafenis van prinses Maria Louise, 1765 1765

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print

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print

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text

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history-painting

Dimensions: height 290 mm, width 395 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have "Beschrijving van de begrafenis van prinses Maria Louise, 1765," created in 1765 by Abraham Ferwerda. It's a printed piece and appears to document the funeral of Princess Maria Louise. It feels very...stark, almost bureaucratic, with all the text. What stands out to you about this print? Curator: As a historian, this image provides a glimpse into the public role of mourning and the political machinery surrounding a royal death in 1765. The detailed textual description acts as a record and a form of public spectacle, controlling the narrative of Princess Maria Louise's funeral. Notice the emphasis on order and procession; the text meticulously lists attendees and their positions. How does this regulated display of grief speak to the social structures of the time? Editor: I see what you mean. It's not just about grief; it's about social performance. Almost like a script for the elites. I hadn't considered the text as part of the spectacle. Curator: Exactly. Consider the institutional power at play: who commissioned this print, who would have access to it, and what message were they trying to convey about the stability and continuity of power? Are there any visual elements, beyond the text itself, that you find revealing? Editor: The font is very rigid; almost militaristic in its precision. It definitely echoes the sense of order you pointed out, it emphasizes the rigid control being exerted by those organizing this whole display. Curator: And in that control, we find the politics of imagery at work. What have you gained from looking at this piece today? Editor: I see how even seemingly dry historical documents like this print were carefully constructed to project authority and reinforce social hierarchies. It’s a very different understanding than simply seeing it as a record of an event. Thanks! Curator: Indeed! It showcases how images can perform significant cultural work beyond their purely aesthetic qualities. Thank you for your insightful reflections!

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