The Virgin and Child, with Christ Blessing c. 1340

Editor: Here we have Bernardo Daddi's "The Virgin and Child, with Christ Blessing." I’m struck by the intimacy of the figures, despite the formality of the composition. What compositional elements draw your eye? Curator: The interplay between the flatness of the gold ground and the attempt to model forms is quite compelling. Daddi uses line to define the figures, yet the subtle gradations of color suggest volume. Observe the Virgin’s robe; it’s a field of dark color, yet folds are implied through careful shading. Editor: That's interesting! I hadn't noticed the shading before. Curator: Indeed, it is through such formal strategies that Daddi creates a work that is both iconic and tender. The structural balance achieved through color and form suggests a harmonious relationship between the divine and the human. Editor: I'll certainly look at paintings with new eyes after this.