Screen and Lady's Work-Box 19th century

Ryūryūkyo Shinsai made this print of a screen and lady's work-box, sometime between the late 1700s and early 1800s, using woodblock printing. The technique involves carving a design into a block of wood, inking it, and pressing it onto paper. The process is fascinating here, as it is inextricably linked to the final image. It's not just a picture of a screen and work-box. It’s a demonstration of what woodblock printing can do. See how the flat planes of color, and the crisp lines, create an image that's both decorative and precise. The materiality influences the composition and aesthetic. It's an indirect process, requiring patience and skill to transfer the design accurately. Looking at the image, you can see how the artist has played with the inherent qualities of the medium. The flat colors are uniform, and the lines are sharp. This interplay between artistic intention and material properties elevates the print beyond mere representation. It becomes a study in craftsmanship. By understanding the process, we can fully appreciate the artistry and labor involved, and question the boundaries between art and craft.