Onthoofding van Johannes de Doper c. 1645 - 1650

This image is a print of the ‘Beheading of Saint John the Baptist’ by an anonymous artist and is part of the Rijksmuseum collection. The composition divides the scene into distinct zones, each carefully rendered with detailed engravings. The left side focuses on the figures associated with Salome, while the right side shows the more imposing figures of the soldiers. This division highlights the power dynamics at play, contrasting feminine guile with masculine force. Light and shadow are wielded to guide our gaze, emphasizing key narrative elements such as John the Baptist's severed head. Here, the artist uses formal qualities to engage with broader themes of morality and justice. The architectural backdrop is depicted in a classical style. This element serves not only as a stage for the unfolding drama but also introduces a semiotic layer that invites interpretation. Ultimately, this print functions within a complex cultural discourse, making it more than just a depiction of a biblical event.