Lion 17th-18th century

Curator: This is Johann Elias Ridinger's "Lion," an engraving held here at the Harvard Art Museums. The intensity in the lion's gaze immediately strikes me. Editor: Indeed. The lion's confined setting feels metaphoric, almost as if it is a commentary on colonial power and the subjugation of nature. Curator: The formal elements are quite compelling as well. Note the etching technique—Ridinger skillfully uses lines to create texture and volume, particularly in the lion's mane. Editor: But how does the artist grapple with representing power dynamics? Here's this "king of the jungle," reduced to a parlor trick with a ball. Consider the role of animals within courtly spectacles, a very explicit demonstration of power. Curator: I see it as a powerful study in contrasts: wildness contained, strength tempered, captured through masterful composition and line work. Editor: Perhaps a warning then, that even dominance requires an illusion of control. Curator: A fitting final thought.