Aristodemus prins van Cuma door Xenocrite verraden by Arnold Houbraken

Aristodemus prins van Cuma door Xenocrite verraden 1681 - 1699

0:00
0:00

print, engraving

# 

narrative-art

# 

baroque

# 

print

# 

figuration

# 

history-painting

# 

engraving

Dimensions: height 190 mm, width 143 mm

Copyright: Rijks Museum: Open Domain

Editor: So, this is "Aristodemus Betrayed by Xenocritus," a print made by Arnold Houbraken sometime between 1681 and 1699, now housed in the Rijksmuseum. It definitely has that dramatic Baroque feel! All those figures crammed into the space, the single light source… what's your take on this piece? Curator: Ah, Houbraken. He always packed a punch, didn’t he? What I see is a scene bubbling with tension – a single lit torch, slicing through the darkness, exposing a king vulnerable in his bed. A delicious moment of treachery caught mid-act. Don't you think the artist intentionally crafted a theatre for betrayal here? All eyes are drawn to that single, almost blinding light. Editor: Definitely theatrical! So it's a story being told? Who are these figures, exactly? I’m getting betrayal, obviously, but who’s betraying whom, and why should we care? Curator: Well, Aristodemus was a pretty nasty tyrant, if we're to believe the ancient accounts. But the man ushering in the assassins, Xenocritus, was supposed to be his friend! I wonder about the artist's sympathies though. Is it possible Houbraken wants us to question if getting rid of a tyrant justifies an act of ultimate treachery? That flickering torch almost seems to cast *doubt,* not just light, doesn't it? Editor: That's fascinating. It complicates the whole scene. I was reading it as just a straightforward "bad guy gets got" scenario, but now… Curator: Exactly! Think of how those moral ambiguities must have resonated at the time it was created – a time of constant political machinations and power struggles. Is betrayal a tool or a sin? Houbraken leaves that to us, I suspect. Editor: I love how you see the artist posing these larger questions! Now I need to delve deeper into the historical context of this image to try to read his full intent. Curator: Yes! See it not just as ink on paper but as a portal to understanding complex social narratives. Now, where’s *my* torch? I’ve got some historical rabbit holes to explore!

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.