Jug 1577 - 1578

Curator: Alright, let’s turn our attention to this piece. What we have here is a jug crafted from silver around 1577-1578, currently residing here at The Met. Editor: Wow, instantly, I'm struck by how imposing yet ornate it is! There's this rough, hammered texture across the body contrasting with delicate floral patterns near the lid. It's a bit of a head-scratcher; opulent but in a rather edgy way. Curator: Precisely! The hammered surface is a fascinating detail. It creates this contrast, this play of light and shadow, adding to the depth of the piece. Then we see how it graduates to smoother, more intricate designs toward the top. The iconography certainly hints at prosperity and abundance, but there is the overall impression of weight...literally! Editor: It definitely feels hefty, doesn't it? I can just imagine the sheer labor and time involved in hammering all that silver. And I love the juxtaposition of the ornate embellishments on the top—almost frivolous—and this brutal texture across the lower half. To me, it expresses both refinement and pure, unadulterated human toil! A statement, maybe, on society’s foundations? Curator: Interesting observation! During this period, vessels like these often carried layers of symbolic meaning far beyond their utility. Flowers symbolized regeneration, while other images could denote status, familial history, or even personal aspirations. This was created by William Cockinidge, we are seeing that decorative art becomes intertwined with social communication. Editor: Thinking about it in today’s context, this object transcends time; it speaks of effort, beauty born from struggle, and hidden histories. One glance unlocks conversations about class, craft, the weight of the past… You could write a novel just based on this vessel! Curator: Absolutely. I encourage our listeners to really spend some time considering its details, its textures, and the stories it subtly conveys. You'll discover even more complex impressions over time, as I have for many years! Editor: I am sure that everyone can admire what you see here – literally - but what you will truly admire will take a few thoughtful minutes... I really enjoy that and invite everybody to discover what might speak to them through the history this remarkable jug encapsulates.