The Flight into Egypt 1605

Adam Elsheimer painted "The Flight into Egypt" in the early 17th century using oil on copper. The choice of copper as a support is particularly interesting. Unlike canvas, copper offers a smooth, non-absorbent surface, allowing for incredible detail and luminosity. Elsheimer exploited these qualities to the fullest, creating a jewel-like scene with a rich interplay of light and shadow. The density of the material also allowed him to achieve a mirror-like finish with the oil paint. Consider the labor involved in preparing the copper plate, grinding pigments, and applying the paint in thin, translucent layers. The oval format itself suggests a precious object, intended for close viewing and contemplation. Elsheimer's mastery of materials elevates this biblical scene. It reminds us of the importance of craft traditions in the making of art, and challenges our conventional understanding of fine art.