The Bijin Kinko 1756 - 1777

This print, known as The Bijin Kinko, was made by Suzuki Harunobu in the 18th century. It’s made from wood, and it would have required a whole workshop of artisans to produce. The process begins with a drawing, which is then transferred to a woodblock, usually cherry. The key lines are carved, and then the block is printed. Additional blocks are made for each color, and these are printed in succession, building up the image. The alignment is really precise. When you look at the image, consider the division of labor. There would be specialists for carving, for printing, for quality control. Each person is part of a larger system, reflecting the economic realities of Edo-period Japan. The print bridges high and low culture, craft and fine art. It’s a testament to the power of collaboration. The print, therefore, isn't just an aesthetic object. It’s a record of production, a snapshot of a complex and highly skilled social process.