Laying-on of Hands (Storefront Churches series) 1958 - 1960

Editor: This is Milton Rogovin's "Laying-on of Hands" from his Storefront Churches series, taken between 1958 and 1960. It’s a gelatin silver print, and what strikes me is how intimate and raw it feels, like we're intruding on a deeply personal moment of spiritual intensity. What do you see in this piece? Curator: Well, beyond the immediate sense of intimacy, I see a powerful commentary on community and faith during a turbulent period in American history. Rogovin's work often focused on marginalized communities. Storefront churches, particularly in the African American community, were not just places of worship. They were vital social and political spaces. Editor: So the act of laying on hands isn’t just a religious practice, but a symbol of something more? Curator: Precisely. Consider the historical context: the Civil Rights Movement was gaining momentum, and these churches provided a haven and a platform for organizing and resistance. Rogovin captured a moment of shared vulnerability and collective strength. The hands reaching out, the faces uplifted – it’s a physical manifestation of hope and solidarity in the face of systemic oppression. How does knowing that change your initial impression? Editor: It makes it much more layered. It's not just a moment of prayer; it's a portrait of resilience. It makes me think about the role of art in documenting social movements. Curator: Absolutely. Rogovin used his camera as a tool for social commentary, giving visibility to communities often ignored or misrepresented. His "Storefront Churches" series challenges the dominant narratives and offers a powerful counter-history of mid-20th century America. What do you think, any surprises after this short chat? Editor: Definitely! I went in thinking it was a simple snapshot of religious devotion, but I'm leaving with a deeper appreciation for the socio-political context and the photographer's intent.