photography, gelatin-silver-print
portrait
african-art
portrait
street shot
black and white format
street-photography
photography
black-arts-movement
black and white
gelatin-silver-print
ashcan-school
realism
Dimensions: image: 17.7 × 17 cm (6 15/16 × 6 11/16 in.) sheet: 25.2 × 20.32 cm (9 15/16 × 8 in.)
Copyright: National Gallery of Art: CC0 1.0
Editor: So, this is Milton Rogovin’s “Seymore (Lower West Side series)” from 1973, a gelatin silver print. The stark black and white gives it this immediate documentary feel, but there’s also a quiet strength in Seymore’s gaze that's really captivating. What jumps out at you when you look at this? Curator: The world swirls for me when I see Seymore, really. It isn't just a portrait, is it? It's a whisper from a time when cities hummed with a different rhythm, and neighborhoods pulsed with a kind of fierce belonging that, perhaps, only hardship could birth. Rogovin, bless his curious heart, wasn’t just taking pictures; he was crafting time capsules. You feel me? He lets us listen in on lives, each crease and shadowed glance is practically a story, and sometimes… I wonder what those stories truly were. It's there in that direct stare, isn't it? What does Seymore *see*? Editor: Yeah, it feels incredibly intimate. I’m curious about the textures here. The rough brick, Seymore's corduroy pants… They seem to play off each other, adding another layer to that documentary feel you mentioned. Curator: Textures telling tales. You know I love it! It is like you can feel Buffalo's chill air nipping at your cheeks and practically taste the grit and smoke, huh? And Seymore, smack dab in the middle of it all… he is resilience sculpted in silver, almost like the land. Do you reckon that the 'street photography' of the day really captured *that*? I am asking, in real truth. Editor: That’s a good question. A lot of street photography felt more detached, but this… this has such presence. Almost collaborative? Curator: Right! So, how did Rogovin gain Seymore's trust, eh? It dances on the razor's edge of art and genuine connection; because doesn't every worthwhile picture have trust at its soul? The picture sings of a different era of truth. You felt the song! Editor: Definitely. It's more than just a visual record; it's a shared moment, which I almost missed at first. Thanks for helping me to think that through. Curator: Anytime, for reals. Keep letting art rattle around in your head, let it show you where your heart lives!
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