Study for Knee and Drapery of Seated Angel at Right, "Israel and the Law," Boston Public Library 1895 - 1916

Editor: This is John Singer Sargent’s study for the “Seated Angel,” a charcoal sketch on paper. The figure is draped in fabric, head bowed, almost mournful. What strikes you about it? Curator: Note how the drapery almost swallows the figure, creating a sense of profound humility. Sargent, consciously or not, taps into a long history of representing angels as intermediaries between the human and divine. Observe the head, almost obscured; what does that signify to you? Editor: Perhaps the angel’s self-effacement? Like a vessel for something greater? Curator: Precisely. Angels, by their very nature, are messengers. Sargent emphasizes their symbolic role, minimizing individual features, focusing on the weight of their purpose. Editor: I see that now. The fabric almost *is* the message. Curator: Indeed. And Sargent, a master of suggestion, leaves us to interpret the meaning. Symbols work best when they're open to interpretation. Editor: That makes me consider the artwork quite differently now.