Portret van Johannes Meyerus by Johannes (II) Meyer

Portret van Johannes Meyerus 1665 - 1712

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print, engraving

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portrait

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baroque

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print

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history-painting

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engraving

Dimensions: height 248 mm, width 167 mm

Copyright: Rijks Museum: Open Domain

Curator: Immediately striking is the level of detail achieved in this monochromatic print; it presents a rather severe countenance, doesn’t it? Editor: Yes, there is something very rigid about the composition. We’re looking at an engraving of Johannes Meyerus, dating probably to somewhere between 1665 and 1712. Meyerus held the office of “Consul of Zurich”. I'm thinking here of what exactly would the engraver needed in terms of tools to realize such sharp details and to control depth. Curator: His figure is framed within an oval border, which emphasizes the contours of his face and the elaborate details of his clothing—consider the subtle cross-hatching. What intrigues me, from a formalist perspective, is the relationship between the curves of the oval and the straight lines of the inscription block below. A conscious effort at pictorial balance? Editor: Precisely! Note too how he holds a coat of arms, it's definitely stylized— but notice that it adds this texture into his visual presence; there must be something to analyze around who would get to display them. Curator: Interesting you mention his garb and emblems! His dark cap adorned with feathers adds height to the oval— and also contrast. Do you perceive something of a diagonal dynamic initiated there? I feel like these deliberate arrangements highlight a studied classicism in visual construction. Editor: This visual language served more purposes: for those buying this portrait, these coats of arms or certain garments showed connections. Maybe his robe even served a double function between providing warmth or visual messaging... Engraving also provided copies for an easier dissemination through the market. I'm betting at that time printed images made claims and reinforced a new sort of culture building on old techniques of production. Curator: Ah, precisely. These symbolic arrangements, framed within very particular visual traditions. This reading through a socio-cultural landscape allows a new sense of how those portraits of civic leaders reinforced the city identity. Editor: Yes. And understanding the craft traditions, the social function—they give even greater richness and historical grounding. Curator: Thank you—I feel this interdisciplinary understanding opens entirely new paths in this picture!

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