Portret van Tiberio Deciano by Cornelis Galle I

Portret van Tiberio Deciano c. 1597 - 1669

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print, engraving

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portrait

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baroque

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print

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history-painting

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engraving

Dimensions: height 140 mm, width 100 mm

Copyright: Rijks Museum: Open Domain

Editor: This is a print entitled "Portret van Tiberio Deciano" by Cornelis Galle I, dating roughly from 1597 to 1669. It looks like an engraving. There’s a stern-looking man with a substantial beard, framed in an oval with Latin text around it. What do you see in this portrait from a historical context? Curator: Well, this engraving is interesting because it provides insight into the culture of the period. Prints like this weren't simply aesthetic objects. They were powerful tools for disseminating images of prominent individuals, shaping public perception, and even contributing to the construction of identity. Tiberio Deciano, named in the portrait, was obviously someone of importance. His dress, that heavy fur-lined robe and hat, denotes status. But think about *why* someone would commission or support the creation and distribution of this portrait. Editor: So, it's like an early form of political image-making? To cultivate a specific image of Deciano? Curator: Exactly. Consider the text surrounding him. It tells us he was a *Iurisconsultus,* an expert in law. It suggests that he valued rhetoric ("Suada") and the goddess of justice ("Themis"), so this wasn't just a simple image but an entire piece of self-presentation aimed to advertise his skills. Given the Latin, who do you think would be the target audience? Editor: Probably educated elites of the time. It’s fascinating to consider how calculated image control was, even centuries ago! I suppose even in the Baroque period the media environment already influenced people's thoughts. Curator: Precisely. This piece helps us to reconsider that role of the image and of engraving at the period: what was seen and why, and even how influential imagery can become in law or history. Editor: Thank you for broadening my understanding of this portrait. It highlights that even something that looks quite straightforward, like an engraved portrait, could be so politically charged and socially purposeful. Curator: Indeed. Hopefully you can see that understanding such connections elevates the work.

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