Man 1750 - 1799

Angelo Viva crafted this terracotta figure of a man in the late 18th or early 19th century. Note the open gesture of his hands, a common feature in Neapolitan nativity scenes that speaks volumes. This open-handed gesture, reaching out, is ancient. We see it in depictions of orators from Rome, figures beseeching gods in ancient Greece, or even in the outstretched hands of early Christian art, all expressing supplication or invitation. Over time, its meaning has subtly shifted, adapting to new cultural contexts while retaining its core essence of communication. Think of the orator, pleading for peace, or a street vendor enticing passers-by. It is a potent expression. The figure’s pose, too, is a physical manifestation of the internal state, engaging us in a primal, subconscious dialogue that transcends language. Consider how our brains instinctively mirror such gestures, creating a sense of empathy. This invites viewers into his world, tapping into deep-seated emotions and shared human experiences.