Portret van een meisje, mogelijk Johanna Troost by Cornelis Troost

Portret van een meisje, mogelijk Johanna Troost 1734

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drawing, paper, ink

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portrait

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drawing

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baroque

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pencil sketch

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charcoal drawing

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paper

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charcoal art

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ink

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pencil drawing

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portrait drawing

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genre-painting

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rococo

Dimensions: height 149 mm, width 94 mm

Copyright: Rijks Museum: Open Domain

Curator: I find this drawing so enchanting. The artist, Cornelis Troost, captured this girl, likely Johanna Troost, in 1734. Editor: Yes, there's something captivating about her gaze. The soft lighting lends a quiet, almost melancholic atmosphere. It's striking how much detail he gets with ink, charcoal and pencil on paper, mostly just outlines. Curator: Isn’t it? Especially considering it's a relatively small drawing. And think about her story: there she is, this girl, in that soft glow from the candle and a hat, so aware of being depicted. Was it staged or natural? Is she posed or in her place? The uncertainty pulls me into that moment, her moment of existence frozen in time. Editor: It’s compelling. Structurally, I am intrigued by how the Baroque conventions of portraiture are both observed and slightly subverted. The use of chiaroscuro to define her form places the emphasis not just on idealized beauty, but, equally, the drawing offers very tangible expressions of everyday humanity in it's construction of the composition and treatment of surface textures. Curator: Exactly. It transcends the era. We can tell Troost invested emotionally, rather than just focusing on superficial aspects. There's something deeply genuine about the piece, like catching a private thought, and at a domestic moment. Editor: The realism combined with the stylization makes it visually quite complex. And yet there's clarity. Curator: Yes, as the viewer, I become active, present. In that shared human experience with her... the humaneness of it really connects through time, I believe. Editor: The use of these monochromatic medium makes the drawing a highly charged vehicle for the intimate dialogue that can exists between artist, subject and us, the spectators. Curator: Absolutely. Seeing this little girl is such a reminder that art, at its best, it opens our minds and eyes beyond historical analysis and allows feelings. Editor: And to think that simple shades of pencil, charcoal, and ink can trigger such complex emotional responses!

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