Les Deux banqueteurs en joie 1849

Honoré Daumier, in the 19th century, created this lithograph titled "Les Deux banqueteurs en joie" which translates to "The Two Joyful Banqueters." Living in a time of significant social and political change in France, Daumier often used his art to critique the bourgeoisie and those in power. It's hard to ignore the figures’ expressions and postures; it speaks to the emotional state of revelry, perhaps hinting at excesses or moral decay within the ruling class. Their intertwined bodies and expressions suggest a shared bond, maybe even a shared guilt or understanding of their position. Daumier’s print prompts us to think about the relationship between power, pleasure, and morality. How does art reflect and shape our perceptions of those in positions of authority, and what responsibility do artists have in this portrayal? In this image Daumier suggests the powerful may become grotesque when indulging in their joy.