Copyright: The Galleries at Moore. La Futurista: Benedetta Cappa Marinetti. Edited by Elsa Longhauser. Philadelphia, PA: Moore College of Art and Design, 1998. Exhibition catalogue. The Solomon R. Guggenheim Museum. Italian Futurism 1909 - 1944: Reconstructing the Universe. Edited by Vivian Greene. New York, NY: Guggenheim Museum Publications, 2014. Exhibition catalogue.
Benedetta Cappa’s painting is a kind of time capsule, made with tempera, ink, and collage. It seems to me it wants to capture not just the look, but the very feel of a speeding night train. I love the thick swipes of red and the metallic flashes. I can almost imagine Benedetta in a hurry, trying to keep up with the train’s energy. She’s catching the rhythm of the rails, the blur of lights, the whole sensory experience of the ride. I see those copper pyramids bumping along the bottom as if they are the very carriages of the train, and I wonder if she felt as though she could build movement into the painting. The Futurist painters were all obsessed with speed, noise, and technology. I can see them having conversations with each other about how to evoke these sensations on canvas. It’s a reminder that artists don’t create in a vacuum. We’re always in dialogue, borrowing and building on each other’s ideas.
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