Paraplu met dek van effen zwarte zijde op smalle donkerhouten stok met goudkleurig handvat c. 1890 - 1900

This umbrella, attributed to Brigg, presents a compelling study in form and materiality. The stark contrast between the deep black silk canopy and the slender, dark wooden shaft capped with gold accents immediately draws the eye. The umbrella’s silhouette, a gentle curve meeting the straight line, creates a visual tension that is both elegant and functional. Consider how the artist uses the umbrella's structure to explore ideas of protection and exposure. The canopy’s arc suggests shelter, a personal space carved out against the elements. Yet, the umbrella is also a tool of visibility, a signifier of social status and personal style. The choice of materials further enhances this duality. The silk, with its subtle sheen, speaks to luxury and refinement, while the wood and gold evoke a sense of groundedness and tradition. The umbrella, therefore, becomes more than just a practical object; it is a complex interplay of form, function, and social meaning. This challenges us to consider how everyday objects can embody deeper cultural and philosophical discourses.