Resurrection of Christ c. 16th century

Editor: This is Parmigianino's "Resurrection of Christ". It's an etching, full of incredibly fine lines. The composition is quite dynamic. What strikes you most about its formal qualities? Curator: Note how Parmigianino manipulates line weight to create depth. See how the density of lines behind Christ suggests a radiant light source, contrasting with the tightly rendered, almost claustrophobic grouping of figures below? Editor: Yes, that contrast really emphasizes Christ's ascendance. It’s an impressive use of a single color. Curator: Indeed. The absence of color necessitates a keen focus on tonal variations achieved solely through linear articulation. Observe the strategic placement of chiaroscuro; how does that influence your reading of the narrative? Editor: I see it now, that the light seems to emanate from within Christ. I hadn’t noticed that before. Thanks!