Spotprent in Amsterdamse studentenalmanak, 1851 by Evert Slaghek

Spotprent in Amsterdamse studentenalmanak, 1851 1851

0:00
0:00

drawing, print, ink, engraving

# 

drawing

# 

print

# 

ink

# 

genre-painting

# 

history-painting

# 

academic-art

# 

engraving

Dimensions: height 300 mm, width 385 mm

Copyright: Rijks Museum: Open Domain

Curator: So, what catches your eye about this print? It's titled "Spotprent in Amsterdamse studentenalmanak, 1851," meaning a cartoon from an Amsterdam student's yearbook in 1851, and it’s located here in the Rijksmuseum collection. Editor: My first impression is how surprisingly dreamlike it is. You have this group of students at a table, very realistically rendered, but then an angel hovers above them, beaming light, all framed by this swirling, almost psychedelic border. It’s like high and low art mashed together. Curator: Precisely! It blends academic art techniques with social satire. The angelic figure is an allegory, a common device used to elevate the everyday events—students drinking, talking, possibly gambling—into something with deeper moral or social significance. Note how the artist used ink, in a combination of drawing and engraving. It allowed for detailed character work and clear symbolic additions. Editor: It makes me wonder what that 'deeper significance' was for these students in 1851. Was this commenting on academic life, their aspirations, perhaps even poking fun at the contrast between youthful ideals and… well, their more earthly pursuits, depicted here as a night out? The little detail of the dog lying beneath the table also humanizes the image, no? Curator: Absolutely. The "Spotprent" would have been loaded with specific references and in-jokes that may be obscure to us now, but that would have resonated deeply with its contemporary student audience. I also like the tension between that focused central gathering around the table, sharply drawn, versus the somewhat fainter secondary gathering towards the left rear. Editor: What I find interesting is that there isn't one central character whose fate weighs the overall meaning of this "genre-painting," yet, something still pulls you towards the players involved in the central game as a site of reflection and inquiry, in relation to the more obscure activities taking place in the scene's background. Curator: And you are absolutely right! We see academic life being the setting to play out one's personal pursuit, like two ends of a rope playing tug-of-war with each other! So much to read through the symbology offered, it is fascinating. Editor: Exactly, isn’t it? There's something timeless about that tension. Curator: It offers much food for thought! Thank you for sharing your thoughts, a worthwhile experience.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.