Four-legged figure by Colima

Four-legged figure c. 2th century

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ceramic, earthenware, sculpture, terracotta

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ceramic

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figuration

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earthenware

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sculpture

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terracotta

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indigenous-americas

Dimensions: 9 3/4 x 8 x 11 1/2 in. (24.8 x 20.32 x 29.21 cm)

Copyright: Public Domain

Curator: Welcome. Today, we're examining a piece titled "Four-legged Figure." This earthenware sculpture, created by the Colima people around the 2nd century, resides here at the Minneapolis Institute of Art. Editor: My initial reaction? It feels… grounded. Solid. The clay is unpretentious, almost primal. There is this human form emerging out of a quadruped. Curator: Colima ceramics, particularly these animal and human forms, often served as funerary offerings. The figures weren't merely decorative, they were integral to the ritual context of death and the afterlife. The reddish earthenware is specific to the region, which may point to beliefs tied to fertility. Editor: Notice the simplicity of the forms, especially the way the body flows, and how it’s achieved. Clearly shaped by hand and perhaps using molds to increase production. We have to think about the labor involved and the social organization necessary to create these objects on this scale. These items were not a simple decoration; they're goods produced and consumed by many, shaping everyday life. Curator: Exactly, the fact that they were commonly included as burial objects speaks to this social practice and worldview. Its style shows a complex interaction between tradition and community. Editor: It makes me wonder about the tools and the firing process too. The patchy, dark spots suggest a very direct, perhaps open-air firing, not some perfectly controlled kiln. Every imperfection tells us more about that maker’s interaction with their materials. Curator: And its survival across centuries really invites us to reconsider what remains of ancient practices. While individual makers’ names are lost, objects like this stand in place of testimony about broader communal roles. Editor: I leave intrigued, thinking about the layers of human connection embodied within this clay. The labor, ritual, the very earth itself are pressed within this modest little sculpture. Curator: Precisely, this sculpture serves as a window into their societal values.

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