Fragment of a Vessel in the Form of a Puma by Moche

Fragment of a Vessel in the Form of a Puma c. 100 - 500

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ceramic, sculpture, terracotta

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ceramic

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figuration

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vessel

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sculpture

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terracotta

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indigenous-americas

Dimensions: 10.8 × 7.9 cm (4 1/4 × 3 1/8 in.)

Copyright: Public Domain

Editor: Here we have a fragment of a vessel shaped like a puma’s head, crafted from ceramic by the Moche people, dating back to around 100 to 500 AD. The raw texture and striking red markings make it look imposing, almost like a warning. What significance might this creature have held? Curator: The power of the puma within Moche society extends beyond mere physical strength. The Moche civilization, flourishing in ancient Peru, deeply intertwined their art with their sociopolitical and spiritual beliefs. Vessels like this weren’t just functional, but potent symbols of power and social control. The puma, depicted here, was a significant figure, associated with leadership, warfare, and even ritual sacrifice. Editor: So, seeing this puma head on a vessel... how might that relate to social power? Curator: Consider how the act of drinking from or displaying such a vessel could reinforce hierarchical structures. It might have been reserved for elites or used in ceremonies that affirmed their authority, particularly its ability to transform human and non-human identities. Think about the way animal power is transferred into society by drinking in the form of a Puma! Editor: That's fascinating. It really shifts how I see the vessel – less an object, more like a symbol actively maintaining social order. Do you think the fragment’s current state changes its impact? Curator: Absolutely. The fragmentation introduces a layer of vulnerability and prompts questions about the collapse of social structures or colonial disruptions that fractured cultural meanings. The violence that the puma performs becomes violence performed upon the culture itself. What new stories emerge from that juxtaposition, do you think? Editor: I hadn't considered the fragment itself as a reflection of societal disruption. Now I see it not just as a depiction of power, but as a potent reminder of how power is both constructed and contested. Curator: Precisely. The puma’s roar continues to resonate, echoing tales of resilience and resistance embedded within Latin American art.

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