Cross-Shaped Pendant Design with Hope Standing in a Circular Temple 1530 - 1573

Curator: This engraving, titled "Cross-Shaped Pendant Design with Hope Standing in a Circular Temple," comes to us from Jan Collaert I, dating back to the late 16th century. Note the precise intaglio work. It's part of the Metropolitan Museum's collection. What's your first reaction to it? Editor: Well, first off, there’s a stillness to it, almost as if time is suspended. The figure in the center appears self-contained and resolute; Hope enshrined, literally framed and elevated, though she is not centered as a primary focal point. And the design gives it a devotional but still ornate appearance—a powerful mix. Curator: Absolutely, Jan Collaert I specialized in these ornamental prints for use by goldsmiths and other artisans. The central figure, of course, is Hope, an allegorical figure common during the Renaissance. What does her portrayal say about that era, from your perspective? Editor: The depiction of Hope inside the temple seems very much about the institution of religion offering structure for a somewhat vulnerable and feminized figure. And there is perhaps some comment about religious faith during times of immense cultural upheaval, when this piece was conceived? A time when "Hope" would become not simply about religious redemption, but tangible transformation. I can’t help but wonder if a message about feminine power and liberation is being explored here, or, in contrast, reinforced with established hierarchies? Curator: A good point. Consider, too, the recurring motif of circles within the piece, starting with the temple encompassing Hope. The circles appear as pendants too, adding layers of symbolic weight. What might they represent? Editor: Circles have been symbolic of wholeness and eternity in countless cultures for millennia. In this case, they may suggest an aspirational representation of paradise and continuity of belief. What also stands out for me is the line work itself, the engraving: dense and unforgiving with some darker lines forming a halo. It is striking! Curator: The level of detail is remarkable, especially considering this would have been a guide for creating jewelry. Editor: Right, there’s a tension between function and artistry at play that reflects the society's values around commerce, design, and religious devotion. Overall, this is quite profound; one sees art’s function in providing blueprints for crafting adornments and reflections of culture! Curator: Precisely! Thinking about how people carry symbols, this piece provides much insight into identity. Editor: I concur completely. The power of "Hope," even as ornament!