Saint Pepin I and his daughter, Saint Begga 1645 - 1705

This is an undated engraving of Saint Pepin I and his daughter, Saint Begga, by an anonymous artist. Here we have a gendered representation of power and piety; Pepin, adorned in fur, stands as the patriarchal figure, while Begga’s veil and demure posture emphasize her religious devotion and familial role. The artwork reflects the complex interplay between religious ideals and aristocratic identity in its time. Saints were often depicted to reinforce the power and legitimacy of ruling families. Begga went on to found a monastery, and the piece speaks to the limited avenues through which women could exert influence—namely, through religious institutions. Consider how the artist uses clothing to communicate social status and moral character. This engraving invites us to reflect on how historical images can both uphold and subtly challenge societal norms, revealing the intricate dance between personal devotion, gendered expectations, and political ambition.