Turf, with Jockey up, at Newmarket c. 1766

George Stubbs probably painted “Turf, with Jockey up, at Newmarket” sometime in the late 18th century, a period when horse racing was becoming increasingly popular among the British elite. More than just depictions of animals, Stubbs’ paintings reflect the social hierarchies of his time, capturing the intertwined relationships between wealth, class, and the natural world. In this painting we see a well-groomed racehorse and its jockey, set against the backdrop of Newmarket, a famous horse racing location. The figure of the jockey, though central to the scene, is noticeably smaller and less detailed than the horse, perhaps highlighting the unequal power dynamics inherent in the sport. Stubbs masterfully captures the animal’s muscular form and elegant stature, celebrating its beauty and strength. Yet, such images also remind us of the commodification of animals, their value often determined by their ability to provide entertainment and profit. Through his art, Stubbs invites us to reflect on the complex relationship between humans, animals, and the social structures that shape our perceptions.